Jamaican Gangsters Using Young Boys In Deadly Feud 12-y-o Killers

shottasCRIMINALS locked in a bloody feud in West Kingston are using boys as young as 12 to carry out their deadly attacks in the area, the police have confirmed.

“We have had reports that the men involved in this feud are using youth as young as 12, 13 and upwards to carry out these deadly attacks,” Senior Superintendent Steve McGregor told the Jamaica Observer, adding that the boy killers were fearless and had no respect for age or gender.

The information was first passed to the Observer on Monday by a resident of Tivoli Gardens, one of the communities in the constituency.

“The man dem who a do the killings nuh have nuh respect for law and order or people; dem even a use some young boys as young as 12 and over to carry out their attacks,” the resident said.

According to the resident, the latest victim of such an attack was Edward Black, a senior member of the community, who was gunned down in broad daylight along Chestnut Lane.

On Monday, during an operation that resulted in the recovery of one firearm and several rounds of ammunition, Senior Superintendent McGregor pointed out that the attacks are not confined to one side.

He also confirmed that the actions of the criminals have left members of the religious community in fear, especially after a Christian man was shot dead by gunmen when he told them that he was on Jesus’ side in response to their demand that he state which side he was supporting in the feud.

Monday’s police operation was staged two days after a 12-year-old boy and a 28-year-old man were shot dead and 10 other people shot and injured by gunmen who attacked a group of people in Denham Town.

Since that incident last Friday night, the police have released the names of several suspects who are also believed to be involved in several other incidents in the area.

Yesterday, police said nine persons on the list turned themselves over to the police. Police said they would also continue to maintain a presence in West Kingston as tensions are still high, especially in Tivoli Gardens where residents staged a protest and burned several T-shirts with the image of member of parliament Desmond McKenzie on Sunday.

The residents accused McKenzie of taking sides in the ongoing feud. But the MP has dismissed the residents’ claim as nonsense, saying that his position was that every act of criminality committed in the constituency must be dealt with.

Teflon’s road manager killed in Gang feud

TeflonAmidst preparations for his live concert series and upcoming album titled ‘Next Dimension’, tragedy has struck leaving Reggae singer Teflon stricken with grief by the sudden death of his close friend and road manager Ricardo Lowe more popularly known as Blackman.

Reports are that on Friday night, April 4th several persons including children were at the intersection of Charles Street and Chestnut Lane when a group of armed men sprayed bullets on them. The 12-year-old boy reportedly died on the spot while Lowe man died in hospital. Unconfirmed reports are that the shooting incident stems from an ongoing gang feud between men from Tivoli Gardens and Chestnut Lane.

A bereaved Teflon appeared evidently shaken by the news of Lowe’s death. According to a senior member of Yard A Love the artiste’s management company.

“We are deeply saddened by the sudden passing of Ricardo Lowe and would like to sincerely extend our condolences to his family and friends in this time of grief. He was an outstanding worker and devoted comrade to his job; and to see him lose his life in such a draconian manner is difficult for us to comprehend, but we must remain strong, his passing is a great loss to music industry.”

At this time Teflon’s Management is asking members of the media and music fraternity to be respectful as the entertainer moans in private.

Radio host and MC Khadine ‘Miss Kitty’ Robbed

miss kittyRadio host and MC extraordinaire Khadine ‘Miss Kitty’ Hylton is now picking up the pieces after vandals broke into her vehicle and made off with $200,000.

According to the Digicel ambassador, after withdrawing the cash from a Washington Boulevard bank branch on Wednesday, she proceeded to Hope Road to collect a gift basket. It was while inside that the bandits struck.

“Because I knew that I had money in the vehicle, I made sure to park in front of the building. While inside, I noticed that a man came in the store and was just roaming about and talking on his phone. When I came outside, the entire passenger window had been smashed, and my money was gone,” she said.

Much to her dismay, the store attendant informed her that they had no security guards or security cameras on the property. The police were, however, quick on the scene, but there were no eye witnesses.

“I felt very violated and sad. When I came outside and saw the shards of glass, I felt sick instantaneously. It’s very hard to know that you put your blood, sweat and tears into your work to earn money and someone would just come and take it from you. It’s very daunting,” she said.

On Friday afternoon, Miss Kitty was rewarded with good news. While sharing the story in her radio programme, she was surprised by representatives from Stewart Motors who gifted her with a brand new BMW X6 to use while her vehicle is being repaired.

“God continues to bless me. Special thanks to Stewart Motors, because who God bless, no man curse. God’s blessings continue to reign,” she said.

Miss Kitty also expressed her gratitude to her fans, friends and the police officers who reached out to her on social media and otherwise.

“Your kind words and overwhelming support has strengthened and motivated me. The greatest thing is that I still have life, and I will continue to strive towards achieving my goals.”

She also had scathing remarks for the thieves.

“The blood of Jesus is against unuh. Everybody has the same 24 hours, so I don’t understand why you should sit at home while I work, and then come to take my earnings from me. When you partake in ill-gotten gains, the blood is on you. This act is so dastardly and evil. But I am not not gonna give up, because the blood of Jesus is against every thief,” she warned.

Vybz Kartel Murder Trial Cell Phone Voice Messages Leaked Online [WATCH VIDEO]

Vybz-Kartel-going-to-prisonThe voice notes evidence was perhaps the most incriminating piece of data the prosecution used to convicted Vybz Kartel and put him behind bars for life.
The controversial voice notes were leaked and has surfaced on social media sites and on YouTube.
Police say hey extracted over 24 voice notes from a Blackberry smartphone they seized from the dancehall star. Some of these voice notes were obtained by Nationwide News in Jamaica.
In several of the voice notes Vybz Kartel could be heard telling someone name Problem Child that he want back his two shoe, another name for guns, or else someone is going to die.

Jamaica’s I-Octanes Debuts Video for ‘A Yah Wi Deh,’ Featuring Ky-Mani Marley: Watch

i-OctaneThroughout his nearly decade-long recording career, which accelerated into high gear in 2010, Jamaican sing-jay I-Octane has amassed a hit-filled catalog rife with vigorous dancehall anthems recorded on the latest digitized rhythms, as well as some of contemporary roots reggae’s most heartfelt observations reflecting the cries of the sufferers. It is his command of both expressions that has rendered the 29-year-old artist, born Byoime Muir, a consistent hit maker.

“It is like a balanced equation,” I-Octane said in a recent interview with Billboard in Kingston, Jamaica. “People that follow I-Octane embrace my reggae and dancehall songs, so I am trying to master both sides and want people to accept me as a balancer in reggae music.”

Putting aside his animated dancehall bashment identity, I-Octane was instead celebrated as a thoughtful reggae troubadour by a capacity crowd at the March 6 release party for his sophomore album “My Journey” (Tads Record), held at Kingston’s Triple Century 333 Sports Bar and Restaurant, owned by Chris Gayle, famed batsmen for the West Indies cricket team.

Backed by the Ruff Cut band, I-Octane performed several of the album’s tracks, including a moving tribute to his mother (“Mamma”) whose hard work to sustain her children, despite extreme poverty, has been a source of inspiration throughout his career ascent. I-Octane was joined onstage by Bob Marley’s son Ky-Mani for a lively rendition of their duet “A Yah Wi Deh” (meaning: yes, we’re there), an affirmation of their commitment to keep the faith and fight injustices. “A Yah Wi Deh” feels more hip-hop than one drop but its uplifting sentiment aligns with a conscious reggae realm; the song’s video, filmed in Kingston three weeks ago, debuts here:

Primarily a one-drop reggae release with tracks such as “Time Will Come” and “Babylon” showcasing the nuanced skills of Kingston’s finest musicians, I-Octane’s coarse yet surprisingly supple vocals bringing gut-wrenching urgency to numerous social critiques including “Pressure,” “My Journey” premieres on the Reggae Albums chart this week at No. 4; its predecessor “Crying to the Nation” (VP Records/Scikron) debuted at No. 6.

“I-Octane is one of the artists who is comfortable in both one drop reggae and dancehall and not many artists can do that,” observes Tads Record founder Tad A. Dawkins, who has annually featured I-Octane on his Kingston/Miami based label’s Phantom compilation series, developed in 2010 to showcase younger artists. “In today’s music industry you can’t just do one thing, and I think he should just continue the way he is going and try to break on both fronts.”

“My Journey” is also the first artist album produced by DJ Frass (b. Andre Gordon) 27, who made his name producing dancehall hits by Mavado; in 2013 he produced the Mavado-DJ Khaled collaboration “Weed And Hennessey,” a bonus track on Khaled’s album “Suffering from Success” (Cash Money/Republic/We The Best). Frass also produced previous hits for I-Octane including the somber “Lose A Friend” and “My Story,” a poignant salute to those who are struggling to make ends meet.

Having toured Europe as Mavado’s deejay, DJ Frass experienced first hand the vast audience drum and bass driven roots reggae commands in comparison to the fan base for hardcore dancehall, which prompted a shift in his musical direction. “Live reggae music is the best, it comes with a good feeling, lasts longer and more people around the world listen to it,” Frass said. “Since we have gone in this direction with this record, we have attracted more fans from all over the world.”

Within the dancehall genre, which has recently seen some of its biggest stars felled by incarcerations, criminal trials and convictions, I-Octane’s reasonably clean-cut image is a welcomed change; in Jamaica it’s a corporate godsend. He has held the role of brand ambassador for telecommunications company Digicel since 2010; he is also the brand ambassador for Busta Soft Drinks and is the voice of Guinness Stout. All three companies were sponsors of the “My Journey” release party alongside Tads Record, DJ Frass Productions and Octane’s own Conquer The Globe Productions, which handles many of his day-to-day career responsibilities including his various social media accounts, where he has a total of 600,000 followers.

“I-Octane has been such a great ambassador for Digicel, he is a very wholesome brand and ‘My Journey’ is a testament to that,” Tahnida Nunes, Digicel’s special project manager, said. “Children can listen to it; it is good wholesome music.” (Some parents, however, may object to their children hearing the marijuana-championing track “Burn It.”)

To coincide with the Jamaica release party, Digicel sent out a download link of I-Octane’s track “Stepping In The Name of Love” to 400,000 of its subscribers.

Despite his renown throughout the Caribbean, I-Octane has had only minor flirtations with the U.S. mainstream. He performed at New York City’s Hot 97 (WQHT FM) “Who’s Next” series in April 2013 at SOBs and in September at the station’s annually sold-out concert “On Da Reggae Tip” at midtown Manhattan’s Hammerstein Ballroom.

In the days leading up to each event, he was interviewed on the station and a few of his songs received limited airplay, something he hopes increases with the release of “My Journey”.

“My dream is to get a song that the major stations pump alongside the pop and hip-hop artists,” he said. “I want to make the right links and maybe the right deal so we can get that level of respect and rotation. As a reggae artist, if you are not thinking that way, then you will always be stuck in the same little circle.”

The U.S. release party for “My Journey” will be held at SOBs nightclub in lower Manhattan on April 9, followed by a 20-date European tour in support of the album.

Vybez Kartel to serve 35 years before parole

Vybz-kartelA undeniable, yet divisive, talent, Vybz Kartel has entered into a career phase his seemingly invincible ego, as the self-designated as the World Boss, might have never envisioned: a life sentence, handed down today by Justice Lennox Campbell in Jamaica’s Supreme Court. Several roads were closed within the vicinity of the downtown Kingston courthouse in anticipation of today’s sentencing, which was originally scheduled for March 27th.

Kartel will not be eligible for parole until he serves 35 years of his life sentence, while Shawn Campbell and Kahira Jones will be eligible for parole after serving 25 years of their life sentences; Andre St. John will be eligible for parole after serving 15 years of his life sentence.

On March 13th, Kartel, born Adidja Palmer, was found guilty of the August 16, 2011 murder of his former associate Clive “Lizard” Williams, the outcome of a 58-day trial, which commenced on November 18th, 2013 — said to be the longest in the history of Jamaica’s Circuit court. Guilty verdicts were also handed to Shawn Campbell (dancehall artist Shawn Storm), Kahira Jones and Andre St. John, who each received life sentences today. The fourth co-accused, Shane Williams, received the jury’s sole not guilty decision. Minutes after the verdicts were announced, juror Livingston Cain was charged with bribing the jury foreman to influence a not guilty verdict; Shane Williams is now charged in another murder case.

Palmer’s lawyers will appeal today’s conviction, a process expected to take between 6-12 months, said Christian Tavares-Finson, who along with his father Tom Tavares-Finson have represented the embattled dancehall artist since the trial started. The defense maintains the prosecution presented evidence that had been fabricated and otherwise manipulated including text messages reportedly sent from Palmer’s phone, after it was confiscated, allegedly boasting of the butchering of Williams’ body, which has never been found.

In August, Palmer will face charges of attempting to pervert the course of justice as related to the Williams murder case; police reported that Kartel’s protégé, singer Vanessa Saddler, a.k.a Gaza Slim, and an associate, Andre Henry, went to a Kingston precinct where Saddler filed a statement claiming she had been robbed at knifepoint by Williams five days after Palmer was charged with his murder. According to police, evidence exists, including phone records, indicating that Palmer instructed Saddler to report the robbery.

“Jamaica feels this because Vybz Kartel has contributed a lot to reggae, no matter what anyone says, and we will support him in any way that we can,” says Tad Dawkins, founder of the Kingston/Miami based reggae independent Tad’s Records who have released three albums by Kartel, including his 2013 set, “Kartel Forever Trilogy,” which reached no. 11 on the Reggae Album chart.

Vybz Kartel’s conviction/sentencing is the dishonorable cap to a career strategically propelled by controversy, from the graphic sexuality on songs like “Tek Buddy” to the gruesome thug exploits recounted in “Real Bad Man,” a grizzly parallel to the alleged events that brought his judgment (“mi lass (cutlass) dem fi choppin’/mi trick him, mi trap him, di rifle dem whop him”), to the years of traded song disses between The World Boss representing his Gaza consortium of artists/supporters and dancehall artist Mavado’s Gullyside crew. The artists’ lyrical salvos were sometimes taken literally by fans with numerous fights, in defense of their preferred artist, taking place at dancehall sessions, even in schoolyards, before peace was declared in late 2009. Prior to his murder conviction, Kartel’s most debated action was the lightening of his skin from its natural chocolate brown to pasty beige to better display his multiple tattoos.
vybez kartel

Each contentious step resulted in greater media attention, something Kartel skillfully manipulated yet proudly mocked, as he told Billboard.biz in a December 2009 interview at his Kingston Gaza studio. “I am amazed at how stupid the media can be because there are so many serious issues in Jamaica. The governor of the Bank of Jamaica is in a big scandal over money. The price of flour raise, sugar raise but everybody is on this Gully/Gaza thing, it is like a ploy to take the people’s minds off the real issues and the media is just playing along because they are simple-minded. I know how to control them and I always do.”

Kartel’s clever, often contested lyrics brought him numerous hits while his entrepreneurial savvy transformed his controversial actions into several successful products branded under his Gaza Empire. For example, prior to admitting to skin bleaching he referenced the practice in his hit singles “Straight Jeans and Fitted”, followed by “Cake Soap” then created a line of Vybz Kartel Cake Soap, generating further outrage and publicity. Whether or not Vybz’s Cake Soap actually lightened skin as he claimed, and despite the self-loathing many associate with the procedure, Vybz’s Cake Soap sold out of its initial shipment of 2,000 units in Jamaica in May 2011, without an island-wide distribution network.

Kartel’s Gaza Empire also included Daggering Condoms, the Vybz Wear line of tees, belt buckles and dog tags, and Addi’s shoes, the latter inspired by his massive 2010 single “Clarks” (featuring his Gaza Empire artists Popcaan and Gaza Slim) which prompted a surge in the price and sales of the venerable English shoe brand in Jamaica.

Despite the variety within his abundant repertoire, it’s the Kartel songs that are the aural equivalent of porn or blood splattered gangster films that have brought his farthest-reaching celebrity. Some contend his scatological verse brought the dancehall genre to an unprecedented low, an argument that surrounded dancehall superstars Yellowman and Shabba Ranks, in their respective ‘80s and ‘90s heydays. Yet both artists are now hailed as genre standard bearers. Time will tell if Kartel’s provocative brand merely pushes the envelope in more permissive times, as reflected in movies, television and other musical genres, or if he is truly an aberrant, corrupting force among a predominantly young fan base.

Justice Campbell is weighing the option of allowing Kartel to record in prison after determining if he can be transferred from the New Horizon Remand Center, where he has spent almost three years awaiting the conclusion of his murder trials, to the Tower St. Correction Center, which is outfitted with a recording studio. The judge must also ascertain whether proceeds from such recordings can be awarded to the family of Clive “Lizard” Williams.

Whether or not Kartel records new material, the strategized controversies that elevated his career trajectory are now beyond his control.

“Kartel entered the game as one of its most compelling stars and stayed that way; the impact of his conviction/sentencing will be measured over time but he changed Jamaican music,” comments Pat McKay, Director of Programming, Sirius XM, The Joint/ Kirk Franklin’s Praise (Reggae and Gospel). “How it is changed,” she says, “is on the shoulders of current music makers.”

Dancehall artiste Pamputtae gives birth to married man child

PamputtaeDancehall artiste Pamputtae says she has no regrets after recently giving birth to a healthy baby boy who is fathered by a married man.

According to Pamputtae, she is not bothered by the situation because complicated relationships are relatively normal.

“It’s something that I am experiencing. You always have the side girl who then becomes the wife, so basically a desso the thing deh. Nobody don’t perfect, Pamputtae is in that situation and I am dealing with it and mi have it lock. That’s why mi talk about it. Nobody don’t perfect and who is dem to judge me?” Pamputtae said in a recent interview.

The outspoken deejay also released a song called Husband Lock in which she brags about the situation. The Goody Good singer also gives details about the relationship stating the woman’s husband constantly likes her Instagram photos and treats her very well.

In Husband Lock, Pamputtae deejays, “Gyal come a dance and a talk bout she hot, a talk bout ring and a she a get the cash. A pure dutty clothes and plate she a wash, nuh pay har nuh mind cause a chat she a chat. Woi mi have yu husband lock, mi have yu husband lock …”

“She a call mi man tekka, sey mi a home wrecker, a nuh my fault him deal wid me better. Calm dung yu self nuh rise yu blood pressure. Get a pen and guh write Dear pastor a letter. Sorry my dear mi know sey yu hear a him a buy all a mi Brazilian hair. All when mi fly out a him pay the fare. Mi know sey yu hurt but man haffi share” she chants over a bouncing old school flavoured dancehall rhythm.

Pamputtae is known for songs like Slim vs Fatty, Nah Stop Wine and Small Axe.

Imperial delivers strong sets as he promotes Dancehall Knowledge: Volume 3

Winter-Music-Massive-Alley-CatAs he drops Dancehall Knowledge for a third time on the music industry, Imperial is building on his momentum with a series of performances featuring a litany of Jamaican music’s most influential figures while garnering stronger fan support.
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Imperial appeared at Waggy T’s Bashment Explosion on March 21 in Pembroke Pines, FL, performing alongside prominent Reggae singer and long-time friend, Wayne Wonder. The duo delivered a slew of their classics for a more-than-satisfied Florida crowd as Imperial also performed tracks off his new album, Dancehall Knowledge: Volume 3, drawing many forwards from patrons.

Then, it was on to Miami where the artist formerly known as Alley Cat would perform at Winter Music Massive on March 22, organized byLarge Up magazine and 222 Worldwide. The show, co-hosted by Melanie Fiona and producer extraordinaire, Tarik ‘Rvssian’ Johnstonsaw Imperial produce a well-received, pulsating set, which saw him perform hits such as Real Ghetto Story, Why Why, Hot Gal, Brag and Boast, Girls Tour and many more. The performance also gathered the artist props on social media, with DJ Gravy tweeting that he got ‘three forwards in 2 minutes!’

The show also featured appearances from Reggae linchpins, Damian ‘Jr. Gong’ Marley and Stephen Marley, as well as Jo Mersa Marley, Bunji Garlin and Fay-Ann Lyons.

In the meantime, Imperial says he is concentrating on pushing Dancehall Knowledge: Vol. 3 while promising fans can expect to see lots more of him in the near future. He is currently lined up for a show this Saturday at the Purdy Lounge in Miami (South Beach) as well as a performance in West Palm Beach April 19th.

Promoters who wish to book Imperial can email him at Immperialproductions@gmail.com or call 954-274-5312.

Rihanna kicked out of famed Abu Dhabi mosque over racy photos

Rihanna-at-mosque-in-Abu-Dhabi-October-2013 Though she covered up — by her standards — in a head-to-toe black form-fitting outfit, complete with a hijab headcovering, the 25-year-old pop star clearly didn’t get the memo on the spirit of Islamic law. In photos that were posted on her Instagram site, Rihanna could be seen posing in several provocative poses with lips pancaked in ruby red lipstick a no-no for a society that stresses covering up women’s sexuality.

“She left without entering the mosque, after being asked to do so, due to the fact that she had taken some pictures that do not conform with the conditions and regulations put in place by the Centre’s management to regulate visits in a way that takes the status and sanctity of the mosque into consideration,” a representative for the mosque told local media outlets in a statement.
The mosque spokesperson added that “the singer” came for a private tour to the mosque at a gate that is not meant for visitors — without identifying herself or coordinating the visit in advance.

The mammoth Sheikh Zayed Mosque is the largest religious center in the United Arab Emirates. Named after the late ruler of the country, it’s become one of the highest-profile mosques in the region since it opened in 2007.

Rihanna covered up for her concert in the United Arab Emirates’ capital Saturday night — a Bedouin inspired look she dubbed “Empress RiRi.”

The Hype Magazine Interviews w/ Alley Cat aka Imperial

imp in redLongevity and consistency are two of the hardest things to achieve in a music industry that is increasingly demanding and impulsive by the moment. For one, Imperial Alley Cat, he has stood the test of time, adjusting to music’s unpredictable atmosphere.

Albert Richards long desired to decorate the music industry with his concepts and lyrical dexterity ever since his childhood. During his childhood days, Richards would often practice his craft during break time at school and would roam through various inner cities across Kingston and study legendary sound systems such as Stone Love and Swatch Intl. as Dancehall pioneers such as Shabba, Ninja Man and Super Cat would perform.

Watching Dancehall legends and understanding the standard expected in the industry motivated Imperial Alley Cat to ply his trade in music full-time; performing at various concerts and club venues across Europe and North America and going to music school, where he learned to perform the guitar as well as the ins and outs of studio production. He also caught the eye of veteran producer and Penthouse Records CEO, Donovan Germain after recording the song, Suspense on the classic Saddest Day Riddim; opening doors to links with the likes of Shocking Vibes, Dave Kelly’s Mad House Records, Beenie Man, Wayne Wonder and Buju Banton, who helped him to hone his vocal skills, amongst other elements.

From there, this ‘Cat’ was on the proverbial prowl, dropping three hit albums: Imperial Level, Dancehall Knowledge: Vol. 1 and Dancehall Knowledge: Vol. 2. Singles such as Why, Elevate My People, Miss Virtuous (feat. Ikaya), Finally, Rough Society and Days Like These have not only showed Alley Cat’s ability to get fans to enjoy themselves listening to his music, but also gather important social and emotional messages that allow them to connect with his lyrics.

Additionally, Imperial Alley Cat’s understanding of the production world has allowed him to produce and create rhythms for the likes of Mavado, Queen Ifrica, Tony Rebel, Lutan Fyah, Harry Toddler, Fiona and Luciano as well as German Reggae sensation, Gentleman. Imperial performed alongside some of Dancehall’s biggest names such as Sean Paul, Shaggy, Sizzla and Beenie Man.
His work ethic remains as strong as ever, recording more singles, including his new single, Idling, which begs for opportunities for young people to keep them off the streets and out of trouble.

A career spanning three different decades, Imperial has endured the obstacles and stayed relevant through his thought-provoking concepts and intelligence of the game. His commitment is unquestioned and considering the mix of these qualities with his various talents, this artist aspires to continue providing good music and encouraging people to strive for better, as he does professionally and personally each day.

Who is Alley Cat aka Imperial, and where are you from?

Alley Cat aka Imperial is a Humble, observing, well focus, discipline and hardworking individual who always thrive for the best in whatever I do. I am originally from the Western side of Kingston, Jamaica.

How did you discover your musical talent?

I discovered my musical talent when I was 13 after realizing I could spit and write rhymes easily, also in school my classmates would always cheer me on when I was singing a song during lunch breaks.

Who has been your greatest inspirations musically and why?

My greatest inspirations comes from many great artist who execute with a nice melody, good sounding vocals with a message that teaches and uplifts the people in a positive way.

What do you feel you offer the music industry that we don’t already have in other performers?

In the music industry where Jamaican music is concerned you have Reggae and Dancehall artists. What I offer is both sides perfectly which many artist can’t. I can do a great reggae track like a Bob Marley and a Dancehall track like a Beenie Man. This give you more street credibility and respect from the fans. They know you are very versatile to do both genres very well. That is what I can offer which many Jamaican artist can’t.

Have you encountered any problems in getting to this point in your career?

Well, you have a lot of politics, favoritism, envy and grudges in the business which I have faced coming up as a artist to where I’m at today. My belief is to stay focused and surround myself with people who are serious about the business. People who see my potential and are willing to help take it to the next level, not trying to pull you back.

What do you want people get from your music?

I want people all over the world to be inspired by my music in a positive way. I hope the music I am doing will educate people to love and respect each other.

When can we expect some new music from you?

I currently have three singles out now with a strong buzz, 1-Idling, 2-Days Like These and 3-Real Ghetto Story. I am working on my fourth studio album which will be out soon.

What has been your greatest achievement so far?

Just getting signed to a LA based label and performing at some of the biggest Reggae festivals in Europe.

If you could collaborate with one artist, living or dead, who would it be and why?

It would have to be Bob Marley because his music is everlasting and he is a great inspiration to people all over the world.

One track of yours that you think defines you and why?

The track that defines me is not out yet, but I’m always advocating for unity among my people and I have a few tracks which represent those values so I can’t pinpoint any particular track.

Interviewed By: Just Jay

Twitter: @immperial